'The Woman in the Library' by Sulari Gentill

The Woman in the Library by Sulari Gentill
My rating: 4 of 5 stars

Sulari Gentill’s The Woman in the Library hooked me immediately. It opens with a letter from an American writer to an Australian one, a chatty note about writing and an offer to review chapters as the Australian author, a successful mystery writer, works on a new book.

Then comes the new book. From the opening sentences it’s clear the Australian author is incorporating things the American correspondent suggests, and even names a character after him. The action of the actual novel takes place pre-pandemic, but the correspondent writes about contemporary affairs, from the wildfires in Australia in 2019 to COVID to race. The ultimate fate of the correspondent becomes a second narrative.

In the main narrative, set in Boston, a writer has gone to the public library to work on her book, taking inspiration from the three strangers at the same table. Then, they hear a woman’s blood-curdling scream. Having met under such circumstances, the four soon become fast friends. Each character is hiding something and acting suspiciously even as they pair off. The writer – an Australian on a fellowship – keeps courting the muse and also practicing subterfuge to support her new lover until the final reveal.

The unusual construction of The Woman in the Library adds a great deal of interest and complexity to what would have been a fine, straight-forward mystery. I appreciated that the secondary narrative allowed for discussion of the craft of writing and real-life events. Sulari Gentill does a fine job throwing doubt on each of the writer’s new friends from the library, and I felt like I was working extra hard to figure out which leads were false, as the correspondent shared his own theories.

I found the main character easy to root for and enjoyed delightful touches such as one of the friends from the library being covered in tattoos and swearing most charmingly. Highly recommended for readers who enjoy a locked-room mystery and can tolerate two interwoven narratives.
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